Poem of the week
I bring a different poem to the writing classes each week, not only to inspire but to introduce new poets to the group members.
"... the feeling I have about poem-writing (is) that it is always an exploration, of discovering something I didn't already know. Who I am shifts from moment to moment, year to year. What I can perceive does as well. A new poem peers into mystery, into whatever lies just beyond the edge of knowable ground."
-Jane Hirshfield, poet
The Routine Things Around The House by Stephen Dunn
When Mother died
I thought: now I'll have a death poem.
That was unforgivable
yet I've since forgiven myself
as sons are able to do
who've been loved by their mothers.
I stared into the coffin
knowing how long she'd live,
how many lifetimes there are
in the sweet revisions of memory.
It's hard to know exactly
how we ease ourselves back from sadness,
but I remembered when I was twelve,
1951, before the world
unbuttoned its blouse.
I had asked my mother (I was trembling)
If I could see her breasts
and she took me into her room
without embarrassment or coyness
and I stared at them,
afraid to ask for more.
Now, years later, someone tells me
Cancers who've never had mother love
are doomed and I, a Cancer
feel blessed again. What luck
to have had a mother
who showed me her breasts
when girls my age were developing
their separate countries,
what luck
she didn't doom me
with too much or too little.
Had I asked to touch,
perhaps to suck them,
what would she have done?
Mother, dead woman
who I think permits me
to love women easily,
this poem
is dedicated to where
we stopped, to the incompleteness
that was sufficient
and to how you buttoned up,
began doing the routine things
around the house.
~ from New and Selected Poems, 1974-1994
(W.W. Norton and Company, 1995)In June and Gentle Oven by Anne Wilkinson
In June and gentle oven
Summer kingdoms simmer
As they come
And through flower and leaf and love
Release
Their sweetest juice.
No wind at all
On the wide green world
Where fields go stroll-
ing by
And in and out
An adder of a stream
Parts the daisies
On a small Ontario farm.
And where, in the curve of meadow,
Lovers, touching, lie,
A church of grass stands up
And walls them, holy, in.
Fabulous the insects
Stud the air
Or walk on running water,
Klee-drawn saints
And bright as angels are.
Honeysuckle here
Is more than bees can bear
And time turns pale
And stops to catch the breath
And lovers slip their flesh
And light as pollen
Play on treble water
Till bodies reappear
And a shower of sun
To dry their langour.
Then two in one the lovers lie
And peel the skin of summer
With their teeth
And suck its marrow from a kiss
So charged with grace
The tongue, all knowing
Holds the sap of June
Aloof from seasons, flowing.
~ from Poetry by Canadian Women, edited by Rosemary Sullivan (Oxford University Press, 1989)Wednesday Lunch by Robyn Sarah
Fishing for a word in the Pam Pam Café. Our lunch dishes stacked, pages on the table. ‘Worn,’ you say, ‘or tarnished.Used.’ I try ‘blackened’ and ‘eroded.’
Your eyes fix on a lamp above your head; mine get lost among table-legs, chair legs. Finally we settle for ‘old.’
Discovering the justness of the obvious. It has the right ring, this plain work: like reading the whole menu and ordering soup and a sandwich. We look at each other and laugh, and our laughter multiplies, drawing stares. When the waitress comes, with coffee and that smile you want to dance to, we know that later we will go outinto the humid afternoon and walk five or six blocks together for no good
reason, rain wetting our faces.
~from Questions About The Stars (Brick Books, 1998)The Prisoners of the Little Box by Vasko Popa
Open little box
We kiss your bottom and cover
Keyhole and key
The entire world lies crumpled in you
It resembles everything
Except itself
Not even a clear-sky mother
Would recognize it any more
The rust will eat your key
Our world and us there inside
And finally you too
We kiss your four sides
And four corners
And twenty-four nails
And anything else you have
Open little box
~ from Another Republic (Ecco Press, 1976)Advice to Myself by Louise Erdrich
Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don't patch the cup.
Don't patch anything. Don't mend. Buy safety pins.
Don't even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don't keep all the pieces of the puzzles
or the doll's tiny shoes in pairs, don't worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic-decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don't even think of cleaning out.
That closet stuffed with savage mementos.
Don't sort the paper clips from screws from saved baby teeth
or worry if we're all eating cereal for dinner
again. Don't answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in though the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don't read it, don't read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.
~from Original Fire: Selected and New Poems
(Harper Collins Publishers, 2003)Grace by Francette Cerulli
We must not turn on the lights in our houses
until the sun has been down for one hour.
We must sit here at the window, or there
on the porch, or just around the kitchen table,
wherever it catches us,
and watch it leave.
We must remember the time when
we had nothing against the dark.
We must remember the easy grace
of letting darkness fall.
~from The Spirits Need To Eat (Nine-Patch Press, 1999)What the Doctor Said by Raymond Carver
He said it doesn’t look good
he said it looks bad in fact real bad
he said I counted thirty-two of them on one lung before
I quit counting them
I said I’m glad I wouldn’t want to know
about any more being there than that
he said are you a religious man do you kneel down
in forest groves and let yourself ask for help
when you come to a waterfall
mist blowing against your face and arms
do you stop and ask for understanding at those moments
I said not yet but I intend to start today
he said I’m real sorry he said
I wish I had some other kind of news to give you
I said Amen and he said something else
I didn’t catch and not knowing what else to do
and not wanting him to have to repeat it
and me to have to fully digest it
I just looked at him
for a minute and he looked back it was then
I jumped up and shook hands with this man who’d just given me
something no one else on earth had ever given me
I may have even thanked him habit being so strong
~ from All of Us: Collected Poems (Harvill Press, 1996)The Lilacs by Richard Wilbur
Those laden lilacs
at the lawn’s end
Came stark, spindly,
and in staggered file,
Like walking wounded
from the dead of winter.
We watched them waken
in the brusque weather
To rot and rootbreak,
to ripped branches,
And I saw them shiver
as the memory swept them
Of night and numbness
and the taste of nothing.
Out of present pain
and from past terror
Their bullet-shaped buds
came quick and bursting,
As if they aimed
to be open with us!
But the sun suddenly
settled about them,
And green and grateful
the lilacs grew,
Healed in that hush,
that hospital quiet.
These lacquered leaves
where the light paddles
And the big blooms
buzzing among them
Have kept their counsel,
conveying nothing
Of their mortal message,
unless one should measure
The depth and dumbness
of death’s kingdom
By the pure power
of this perfume.
~ from The Art of Losing edited by Kevin Young
(Bloomsbury USA, 2010)Mule Heart by Jane Hirshfield
On the days when the rest
have failed you,
let this much be yours -
flies, dust, an unnameable odor,
the two waiting baskets:
one for the lemons and passion,
the other for all that you have lost.
Both empty,
it will come to your shoulder,
breathe slowly against your bare arm.
If you offer it hay, it will eat.
Offered nothing,
it will stand as long as you ask.
The little bells of the bridle will hang
beside you quietly,
in the heat and the tree's thin shade.
Do not let its sparse mane deceive you,
or the way the left ear swivels into dream.
This too is a gift of the gods,
calm and complete.
~ from The Lives of the Heart (Harper Perrenial, 1997)Can You Imagine? By Mary Oliver
For example, what the trees do
not only in lightening storms
or the watery dark of a summer’s night
or under the white nets of winter
but now, and now, and now – whenever
we’re not looking. Surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade – surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.
~ from Long Life: Essays and Other Writings (Da Capo Press, 2004)Having Come This Far by James Broughton
I've been through what my through was to be
I did what I could and couldn't
I was never sure how I would get there
I nourished an ardor for thresholds
for stepping stones and for ladders
I discovered detour and ditch
I swam in the high tides of greed
I built sandcastles to house my dreams
I survived the sunburns of love
No longer do I hunt for targets
I've climbed all the summits I need to
and I've eaten my share of lotus
Now I give praise and thanks
for what could not be avoided
and for every foolhardy choice
I cherish my wounds and their cures
and the sweet enervations of bliss
My book is an open life
I wave goodbye to the absolutes
and send my regards to infinity
I'd rather be blithe than correct
Until something transcendent turns up
I splash in my poetry puddle
and try to keep God amused.
~ from Special Deliveries, New and Selected Poems
(Broken Moon Press, 1990)Reusing Words by Hal Sirowitz
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
One Art by Elizabeth Bishop
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
What We Want by Linda Pastan
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
Sunflower by Rolf Jacobsen
What sower walked over the earth,
which hands sowed
our inward seeds of fire?
They went out from his fists like rainbow curves
to frozen earth, young loam, hot sand,
they will sleep there
greedily, and drink up our lives
and explode it into pieces
for the sake of a sunflower you haven’t seen
or a thistle head or a chrysanthemum.
Let the young rain of tears come.
Let the calm hands of grief come.
It’s not all is evil as you think.
~ from Winged Energy of Delight, Selected Translations, by Robert Bly (Perennial, 2005)
To Waiting by W.S. Merwin
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
Sum by Kay Weber
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
When I Am Asked by Lisel Mueller
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
And Yet The Books by Czeslaw Milosz
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)
Practice by Ellen Bryant Voigt
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world—
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy—have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what’s going to happen.
~ from Where Water Comes Together With Other Water
(Random House, 1985)